Showing posts with label Fair Isle/stranded knitting design. Show all posts
Showing posts with label Fair Isle/stranded knitting design. Show all posts

Wednesday, September 21, 2016

Carrelage is on Ravelry...and available for 25% discount

Carrelage Cowl

Take two skeins of Baah! La Jolla Yarn. Add the symmetrical stranded colorwork motifs of  the Carrelage Cowl. Stir in the comforting rhythms of two color knitting...and you have a rewarding pattern that will add that dash of color to your winter and fall wardrobe.

AND from today (September 21, 2016) to Monday (September 26) you can get 25% off this fun colorwork pattern with the coupon code CCBlog25...or you can just click here.

See it's easy!

I hope you get your copy today and find the joys of stranded colorwork.


Monday, April 25, 2016

Daddy's Request Re-Launch - It's official!!

Ok, folks, Daddy's Request has been relaunched! 

Daddy's Request: The re-launch!

Daddy's Request - composite

This is the sweater I designed for my dad before I knew how to design. Needless to say, it was pretty obvious it was not going to fit him and the WIP was sent to "back of the closet" exile. 

Years later I pulled it out and finished it...this time for me...and even later, wrote up the pattern...hopefully for you.

Just so you know...this pattern...
...is worked from bottom up in worsted weight yarn...i.e. knits up fast. 
...has small stitch repeats. The largest is eight stitches...most are only 4 stitches...i.e. easy to handle motifs.
...is written in 9 women's sizes and 6 men;s sizes...i.e. easy to find a size that fits your needs.

I used this sweater one year as the class project at the Kanuga Knitting and Quilting retreat. Check out the different color combinations from some of my students.

To celebrate this relaunch, I am offering the Daddy's Request pattern at a 30% discount on Ravelry with the coupon code DRBRL through May 2.

So click the link, get the discount, and start planning your colors!

I cannot wait to see what you choose!

FYI...Daddy's Request is the first pattern of a series of new and formerly released designs I will be spiffing up and offering at discount..so keep your eye out here for your chance at more discounts.

OR...you can sign up for my newsletter and get even deeper discounts.

In the meantime, have fun with your knitting!  I do.


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Thursday, April 14, 2016

Talking about stranded color work sleeve/shoulder construction

As some of you already know, when I started out designing colorwork patterns, I started with sweaters. That's all I wanted to do.

Later, I started working with various yarns companies who were interested in smaller garments...hats, mitts, and cowls. So off I went into the world of accessories. 

Now, I am returning to the land of sweaters..and have also returned to the dilemma of a pleasing sleeve/shoulder join for an over all colorwork garment. 

Below are two periscope broadcasts where I talk about that journey.






The patterns I talked about included...

Criosanna 
Wilkins
Autumn Rose

As you will see, the journey is continuing...so there will be more later.

Thanks for dropping by...








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Wednesday, March 30, 2016

Two scopes for you - No Name Yet shawlette and Criosanna cardi stories

You may or may not know this, but when you begin a Periscope broadcast you type in the title of the scope before you hit the broadcast button. The trouble with this system is that sometimes (and for me, it is most of the time) what you think you are going to talk about morphs a bit as viewers ask questions and make comments...which pleasantly sidetrack your original thoughts for the direction of scope.

I actually think this is fun and one of the benefits of live broadcasts.

So this that in mind,,,,here are two recent scopes.

During the first, we talked about my new website going live....

New Website Homepage



We also talked about the stranded shawlette I am working on for Mountain Meadow Wool. I'll post post pictures to Instagram (varianbrandon) when I'm a little further along.


During the second scope, we talked about the Criosanna cardi and the origins of the name of the pattern...which is not what you may think and definitely not what is listed on the pattern description. ;)

We also had a diversion to the podcasts of Brenda Dayne and meaning of a tail slate in the film industry.

What can I say....we have very diverse discussions.




So that's it for this post.

Join the ever wondering discussion live on Periscope! I'm vbknits.

Until then..I'm heading back to my knitting.









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Monday, March 28, 2016

Interviewed by Tara Swiger

That should be a label button...don't you think? Or a new t-shirt...
I was interviewed by Tara Swiger!!



Actually, we had a great time talking...about designing knitwear and overcoming the "how come (insert famous person here) gets so many followers and is doing so well? I'm here too" doldrums.

The answer, by the way, is...don't worry about it. Put your head down and get own with your own work Your day will come as well.

So if you are interested in listening to our conversation, click here.

..and if you are interested in Tara and all of the wonderful work she does for makers, check out her website.

Let me know what you think of the interview.








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Friday, December 4, 2015

Espen: Stranded Hat pattern.


Espen by Varian Brandon

I use Espen for the beginning stranded classes.

Espen by Varian Brandon

Inside Espen by Varian Brandon



It starts with a few rounds of a single color before starting the colorwork. Both the two color and three color versions are shown above. I like the three color better..as it makes the stranded work stand out a bit more.

What do you think?








Friday, November 20, 2015

Ravelry's Indie Designer Gift-A-Long 2015 - reporting day 1

The Indie Designers Gift-A-Long is in full swing….November 19-November 27….25% off patterns offered in bundles by participating independent designers (including me!) You can find more information here.
Many knitters have said how overwhelming the sheer numbers of patterns offered is this year.
To help sort some things out, for the next few days, I plan to do three things…
1 - Highlight my favorites in the bundles of a group of fellow designers who are also friends,
2- Feature a couple of my favorite stranded patterns,
3 - Indulge in a bit of shameless self promotion and showoff one of my patterns.
So lets start with a couple of my fellow designers…
Clare Devine’s pattern bundle contains several lovely lace edged shawls, wonderful socks, and lots of gorgeous fun lace hat designs. Peppermint Leaves is one of my favorites…
Peppermint Leaves by Clare Devine

Libby Jonson designs under Truly Myrtle. Her design bundle includes drapey lace shawls and interesting lace hats. I had a hard time deciding which pattern I liked the best. The crescent-shaped Antipodes shawl won out.
Antipodes by Libby Jonson (Truly Myrtle)

Now for the stranded pick of the day…
Stephannie Tallent’s Byzantime Cowl has always been a favorite. I like both the pattern and the color selection.
Byzantine Cowl by Stephannie Tallent

Now for one of my patterns…
Here’s Weyburn.
Weyburn by Varian Brandon

FYI..the Weyburn’s rib is used in my business logo.
That’s it for now. More later.









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Wednesday, September 2, 2015

Stranded Knitting: Post 15 - Centering Motifs (Sleeves)

Wilkins cuff and sleeve

Centering Motifs (sleeves)
You know the instructions… “pick up x numbers of stitches around the armhole for the sleeve and work chart Y” or “cast on x number of stitches for the sleeve, work the rib, increase x number of stitches and work chart Y.”

If you are lucky, your designer has added “…work chart Y, beginning at stitch N”….which will center the main motif down the sleeve. If you are unlucky, you are expected to figure this out for yourself.

Here is a brief look at what I do…

Let’s say the main motif has a 16 st repeat. Here is a chart with two repeats of our fantasy motif.


For top down or rib up sleeves, you will need to mark the center stitch. Decide whether you want stitch 1(or 17, which is really the first stitch or stitch 1 of the second repeat) (the center of the ‘X’ of the OXO pattern) or stitch 9 (or 25, the second stitch 9) (the center of the ‘O’) to be your center stitch.  

Then count in groups of 16 (which in our case is the stitch repeat) from your center stitch back to the beginning of the round counting your chosen central stitch as stitch 1.

What you are trying to get to is the number of stitches that do not make it into a group of 16.

For a top down sleeve, say your pattern told you to pick up 206 stitches. Your stitches should lay out like this…central underarm stitch, 102 sts on one side, central shoulder st, 102 sts on the other side.

If you count back by 16’s from the central shoulder stitch to the central underarm stitch...and including the central shoulder stitch, you should get 6 groups (96 sts) with 7 stitches left over, not counting the central underarm stitch. 

The central underarm stitch should remain neutral and is usually worked in the background shade. It is on either side of this stitch that you make the decreases to shape the sleeve.

Now, if you choose stitch 9 as your central stitch, counting back from stitch 9 for 7 stitches (including stitch 9), you get stitch 3. You should begin your round with the central underarm stitch in the background shade as discussed, then stitch 3 and repeat the chart stitches as usual. Then the ‘O’ will be centered down the outside of your sleeve with stitch 9 as the central shoulder stitch.

If you choose stitch 1 (or 17) as your central stitch, counting back from stitch 17 (because it is easier than counting from stitch 1) for 7 stitches, you get stitch 11. After the underarm stitch, you should begin your round with stitch 11 and the ‘X’ will be centered down the outside of your sleeve.

For a rib up sleeve, say your pattern told you to cast on 62 stitches, work the rib, then increase to 68 stitches. Your stitches should lay out like this…central underside stitch, 33 sts on one side, central top st, 33 sts on the other side.

Similar to the top down version, the central underside stitch should remain neutral and worked in the background shade. It is on either side of this stitch that you make the increases to shape the sleeve.

Starting with the central top stitch and counting back to the beginning of the round as before...and also as before, the underside stitch remaining neutral.

After working as above, if you start with stitch 9 for a centered ‘O’, you will begin your round with the center underarm stitch, then stitch 8. If you start with stitch 16 for a centered "X", start with stitch 16.

An added bonus for checking yourself, the stitches on either side of the central underarm stitch and the central shoulder stitch should be mirror images.

I hope that was all clear. Sometimes it is not so clear for me. In those cases, I end up drawing something like this for the top down example...



(Just for the record, in my patterns, I try to either figure this out for you ...which  means i draw alot of these chicken scratch things...and tell you which stitch to start with…or I explain how to do figure it out for yourself.)


As I am sure you have realized, there are plenty of opportunities to use your centering super powers when working on different types of garments. I chose “sleeves” for this series just to give you the basics of centering. A broader discussion of making sure your motifs are placed where you want them is best left for a series on designing stranded garments. 

I hope this was helpful. If you have any questions, please feel free to get in touch.

Next week: Casting off and Weaving in ends.

We're getting close to the end, people!








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Wednesday, July 8, 2015

Stranded Knitting: Post 8 - Adding New Colors and Finishing Old Colors

Sample chart knitted up.....added so social media will have an image to grab onto. ;)
Adding new colors
One of the biggest occasions for blank looks from students is when the chart indicates the addition of a new color. The truth is…that adding new colors can be just a simple as just starting to knit with the new color. Once a few new stitches are worked, you can break off the old yarn leaving a 3-4 inch tail. Yes, this can cause loose stitches at the beginning of the round… for now, just give the old and new yarn a tug to snug them up.

If you are interested…there are several ways to anchor the new yarn that help to maintain tension at the beginning of the round. Here are three…

The first is to thread a tapestry needle with the new yarn and weave the yarn through the purl bumps of a few stitches in the back of the work…making sure the end is towards the right and the working end is towards the left so it can be used.



The second is to tie a simple knot around the working yarn and snug the knot tightly to the last stitch created. Your new yarn is ready to work with.





The third is the one I sometimes use the first time I add a second color.



I am sure there are other ways…but let’s move on to how to end a yarn…either a color that is no longer needed or when finishing up a skein.

My favorite is to weave in the new yarn at the end of the round before it is needed. We will talk about this method after we talk about weaving yarns in general.

Finishing old colors
When you are finished with a color, you will need to decide whether it is best to break the yarn, leaving a 3-4 inch tail to weave in later and then reattach it if the color is needed again….or to carry the yarn up the back of the work to next round it is needed.

So let’s talk about this “carrying up” business. The distance the yarn is carried “up” depends on the knitter. Tension in stranded knitting is mostly about the horizontal tension…the tension between stitches, but when it comes to carrying up, it is also about the vertical tension…the tension between rounds. You’ll want to make sure there is enough slack in the strand carried up so as not to pull and distort the fabric. You will also want to make sure it is not so long that it creates too long of a vertical float to catch on fingers and such.

My preference is to carry up for no more than 3 rounds. The rest of the time I usually break the yarn and reattach…not wanting to risk the tension issues. After weaving in the old yarn…which we will talk about in a bit…I break the yarn leaving a 3-4 inch tail.

Ok…when it comes to carrying up…I will admit there is a “generally, but not always” corollary to the “no more than 3 rounds” rule. If I am running short of yarn, I will carry up to an inch...figuring it takes less yarn to carry up than it does to break and reattach. In these incidences, it is sometimes necessary to come back in the finishing stage and catch the float with a threaded tapestry needle.
Back of Teggala Mitts showing yarns carried up work.

Teggala Mitts


You can also weave in the old color during the first few stitches of the next round...the first round it is not used. Again, we will talk about this during weaving yarns in general. (Don't hate me. I'm trying to be orderly about this.)

Question, comments, observations? Please leave a note in the Comments section below or on the thread in the Stranded group in Ravelry or on the thread in my group on Ravelry.




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Wednesday, June 24, 2015

Stranded Knitting: Post 7 - Reading Charts

Simple stranded motif with 5 colors
Reading Charts (for stranded knitting)
Reading charts for stranded knitting is a bit different than reading chart for other types of knitting. For one thing, most are set up for knitting in the round. Secondly, while one square still represents one stitch, that stitch will most always be a knit stitch….as opposed to purl stitch, twisted stitch, knit into the back loop, yarn over, or any of myriad of other types of stitches.

Ok, you will see indications for some of the shaping stitches…k2tog, SSK, or central double decrease…in some stranded charts...like hats, mittens or waist shaping of a sweater…but on the whole, most stranded charts exist to let the knitter know what stitch is worked in what color.

This can be accomplished in a couple of ways. Let’s take a look at some of them and talk about the upside and downside of each.
Simple stranded motif with colored squares
Color the square the same color as the yarn used to knit the stitch…i.e., if the round uses purple and green yarn, then the chart will have purple and green squares. 
Upside: No need to have a key to tell you what color yarn to use. Chart square is purple, then stitch is knit with purple yarn.
Downside: Works fine for simple patterns, but printing and computer monitors can sometimes be imperfect and colors can be hard to distinguish, especially if some of the colors are similar. Also, if you decide to change the colors called for…say from green to blue…it can be kinda hard to knit blue every time you see a green square. Another thing is that you will need a color printer to get a hard copy of the pattern.

Simple stranded motif with symbols
Use symbols for each color needed. Take that same motif, in this type of chart, the purple is represented by a small star, green is presented by a dot. Then there is a key to tell you what the star and dot represent.
Upside: Color substitutions are easy…just change the key. Also, no need for a color printer.
Downside: Sometimes with complicated, multi-colored motifs there are so many symbols that you can lose sight of the overall pattern…making it hard to get a big picture of what you are working on. Also with a large number of symbols, it can be difficult to distinguish similar symbols from each other. “Is that the large dot or the small dot?” “Is that the open square or the closed square?” You get the idea.

Use one symbol for the whole chart…with the indications for colors found to the side of each chart row. So, in our motif of purple and green, the chart would only have one symbol. (In the case above, a filled in square.) The two indication columns (to the right) would have either an abbreviation for purple or green (P or G), a symbol (number or letter) for purple or green, or the yarn company shade number.
Upside: Again, color substitutions are easy…and there is no need for a color printer. With only one symbols used, the overall pattern is easily seen and understood.
Downside: You will need a key if symbols or letters are used…and you will have to be vigilant at the beginning of each round to see if there are any color changes. With only one symbol, every round looks the same and it is easy to keep knitting with the same colors without realizing it.

These are just three of the various types of stranded charts. Which one do I prefer? If I am submitting a pattern to a magazine or book, then, of course, I will use whatever chart configuration called for. If I am designing and writing for my own patterns, I use the last one most often. It seems to be the most versatile for me. Will I change in the future if a better solution comes along? Sure. Have I prejudiced the "upsides" and "downsides" towards my preferred chart...either consciously or unconsciously? Maybe. But can you blame a girl for having an opinion. :)

But let’s move on to how to work a stranded pattern using one of these charts.

If you have worked with charts in knitting before, you know that one square equals one stitch….and instead of reading left to right, top to bottom, with knitting charts, you start out reading bottom to top, right to left….just like you knit. Add to that, with patterns that are knitted flat (knit one row, turn, purl one row), row 1 (right side) starts at the bottom right and moves to the left…but row 2 (wrong side) starts at the left and moves to the right…and so forth. In other words, all odd rows are read from right to left and all even rows are read from left to right. Add to that, the symbol for “knit” means “knit” on the odd rows, but the same symbol means “purl” on the even rows. On the wrong side, it can be as easy as “knit the knits and purl the purls” or it can be a bit confusing at first.

You will remember we discussed that most stranded work is knitted in the round….with the right side facing you…which means, when it comes to reading the charts, you will always read from the right to the left…always. It also means that all of the stitches are knit stitches. All you have to worry about is using the right colors at the right time.

A chart full of colors or symbols can be pretty intimidating. Fortunately, there are both digital and low tech solutions that help make things a bit more accessible and easier to work with. No matter what method you decide to use, essentially what you are trying to do is highlight the round you are working on so you can focus on that round only.

Some instructions say to put a straight edge (or digital line) under the round you are working on…putting the to be worked squares above the edge. This covers the completed rounds and reveals the rounds you have yet to work.

Some say to put the straight edge (or digital line) above the operative round…which puts the to be worked squares just under the bottom edge of the line….and reveals the completed rounds.

Some say to use clear highlighting tape to cover your working round…leaving both the rounds worked and the rounds unworked visible.

Digital solutions require loading a digital version (usually a pdf) of a pattern or chart into app. I’m sure there are more…but the few I can think of are JKnit and KnitCompanion which can help organize your pattern instructions as well as charts…and GoodReader which is an easy (and free) pdf reader app that allows annotation.

A low tech solution is to make a copy of your chart so you can make notes and still have a clean original. (You can also make it larger if you need to.) The copied charts are then put on a metal tablet with long magnets which act as the straightedge mentioned above. Highlighter tape, also mentioned above, used on the paper copy is a very portable solution and a perfect travel companion.

What do I use? For years I used the metal tablet and magnet solution and it worked well. Now, I load a pdf version of my chart into Dropbox and open it in GoodReader. Since the charts I use are usually in the design process, being able to make notes on the chart helps.

Oh, and as to whether I put the straightedge above or below the working chart round…I put it above the round so the squares I am working on are below the bottom edge of the digital line. I like to see the relationship between what I am working on and what I have completed.


So that's it. How do you organize your charts? What type of chart do you prefer? Let me know in the comments below....or in the thread in the Stranded group on Ravelry.

Next week: Adding in new colors and Finishing old colors...which means video, people!







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Tuesday, June 2, 2015

Stranded Knitting: Post 4 - Needles Used and Casting On.

Needles Used
Various circular needles

I wish I could tell you a definitive needle selection for stranded work. “Use these needles and you will produce fabulous stranded work every time.” Sadly, this is not possible and the preferences for needles for stranded knitting is as varied as the selection of needles itself. You will have to try different needles out for yourself and see what suits your hands and needs. My only suggestion is wooden needles are generally appreciated by beginners…for the same reason they can help with arriving at the correct gauge/tension. When you are trying out a new technique, the last thing you need is the slick speed of highly finished metal needles.

As to my preferences, I frequently use fixed circulars with fairly sharp tips...and as smooth of a join as I can find between the needle and the cable. I seldom use interchangeables mostly because I usually work with US sizes 0-4 (2.0-3.5mm) needles. These sizes are rarely included in interchangeable sets.

As to brands, I’m afraid I use whatever brand I can get my hands on that suits my needs and is fairly affordable. I know there are those among you that swear by one brand of needle or another…but I just don’t. Sorry.

Casting On (including several two or more color edge treatments)
Decisions on how to begin a stranded knitting project are pretty much the same for stranded work as for single color knitting. There is a wide variety of methods out there…long tail, knitted, cable, the various forms of stretchy or provisional cast ons.

I have heard that the traditional way to cast on for a sweater or jumper is a cable cast on...but I think there are several definitions of "traditional". So...bottom line: Your job is to choose your favorite or the one that best suits the project you are working on.


What do I do...I'm afraid I pretty much cop out and use a long tail cast on in one color for about everything.

But that's just me....when it comes to beginning in more than one color, there are also a number very creative methods to you can use.

If you are interested in braids, there are several tutorials that recommend two color casts on to begin with in a variety of styles....whether one color for the foundation (the thumb color in a long tail cast on) and another color for the stitch (the index finger in a long tail cast on) OR alternating these two colors to get alternating stitches for your cast on round.


Braided edge. 
Two color cast ons can also be used for corrugated ribbing. Just in case you don’t know…corrugated ribbing is a rib sometimes used in stranded work. It is usually K2, P2 where the knit stitches are worked in one color and the purl stitches are worked in another color.

Sometimes the color for the knit stitches is fixed and the purl stitches are worked in a variety of colors.

Folk School original colorway

Folk School alternate colorway
Another variation is both the knit and purl stitches are worked in more than one color.

Weyburn
Eastlake
Criosanna
Wilkins
To be perfectly honest, I find the two color cast on for a corrugated rib extremely clever….but I rarely use it…preferring to cast on in the color of the first knit stitches. I feel this adds a foundation color to the edge. Again, tho, just the way I prefer.

Another option for edging is a turned hem with uses a purl round as the turning round. The hem facing is a wonderful place to add some additional colorwork….just in case you cannot get enough.

Also, you might need to know, this facing is sometimes worked in a slightly smaller needle as the circumference of the facing is slightly smaller than the body of the garment. This is especially true with a large garment like a sweater.

There is also a picot edge… which, when knitted in the round, is accomplished by knitting as many rounds as you want for the hem facing. Then, as the turning round, [k2tog (or SSK, I suppose), YO] to the end of the round. This creates a series with holes where the YO’s are….but when folded, creates a lovely scalloped edge.

One of my favorites is a picot edge where the color used for the hem facing and YO round is different than the front side of the garment…creating different colored picot “bumps” that peek out from the edge.

Maiolica

Saluda Sunset Shawl

But these are just a few options of cast ons and edgings for stranded garments. Go exploring. I am sure you will find a million more on line.

That's it for this week. If you have any favorite cast on or edge treatments....or any questions or gentle comments, please leave them below. I'd love to heard from you.

Next up: a brief look at knitting in the round.








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